Published 2017-03-25 — Updated on 2017-03-30
Keywords
- Printed plays,
- Cultural bibliography,
- Author's image,
- Literary authority,
- Theatrical canon
- Juan Timoneda,
- Tragic poets generation,
- Lope de Vega,
- Miguel de Cervantes ...More
How to Cite
Copyright (c) 2017 Gonzalo Pontón
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
Abstract
The period of emergence of commercial theatre in early modern Spain produced only a little amount of printed plays. The present article describes, from the perspective of textual and cultural bibliography, the ideological and commercial strategies made by stationers and authors in a non-codified context, before the crystallization of an hegemonic editorial pattern. The analysis is constituted by three case-studies: the editorial agency of Juan Timoneda, the books of the so-called generation of the tragic poets, and the printing manoeuvres around Lope de Vega's plays in the first years of the 17th century, with a final analysis on Virues' and Cervantes' printed plays. Instead of a pattern of continuity, what these books and their paratexts reveal is a number of strategies oriented by specific circumstances and goals. Nonetheless, it is possible to recognize two main legitimization discourses: one on the creators' literary authority, and other on the relationship between staged and printed theatre.